You do not need a macro lens to shoot a convincing close-up. Most lenses focus closer than people think, and the rest is distance, light, and a willingness to crop.
The lens is rarely the limit. The habits around it usually are.
Every lens has a point where it simply will not focus closer. Find it once, mark it, and stop fighting the glass.
Get as close as the lens allows, then move the subject toward the camera instead of the camera toward the subject. A product on a sliding surface gives you millimeters without a new lens.
Zoom lenses often focus closer at the wide end than the tele end, which surprises people. Test both ends before you buy anything.
Shooting a little wide and cropping in editing is a real option, if you plan for it. Capture at the highest resolution you have and leave room around the subject.
Do not treat cropping as free. Each crop costs resolution, so a heavy crop on a small sensor will soften the final frame.
Better still, use a longer focal length from farther back. Compression makes the background fall away, and the subject fills the frame without the lens fighting you.
A close-up is a decision about what fills the frame, not a receipt for the lens in your bag.
Close work shows every flaw in your light. A single soft source placed close will flatter a small subject far better than a room full of hard lamps.
Move the background far behind the subject so it blurs, even at moderate apertures. Distance between subject and background does work that aperture cannot.
Watch your own shadow. At this distance you are likely to block the light, so angle the source and step to the side.
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