Where to Place B-Roll So It Actually Helps
B-roll is not wallpaper. Placed with real intent, it covers a jump cut, proves a point, or gives the viewer a quick breath between two heavy ideas.
Text animation timing is the difference between a title that feels crisp and one that drags. The entrance and the exit are short; the hold is where the viewer actually reads.
Once you treat hold time as the important part, the decoration gets easier. Most slow-feeling graphics are simply moving too long around too little text.
Most on-screen text should arrive in a quarter to half second. Longer entrances feel dramatic, which only works when the whole piece moves at that pace.
Ease the motion so it decelerates into place. A hard stop reads as a glitch, while a short settle reads as control.
Work out how long the text needs to be read, then set the hold to that time. The animation frames come out of the entrance and exit, not the reading window.
If the edit forces a short hold, cut words instead of speeding up the reader. Fewer words read fast is better than a full sentence that never lands.
If a title feels slow, the problem is usually the hold, not the animation.
B-roll is not wallpaper. Placed with real intent, it covers a jump cut, proves a point, or gives the viewer a quick breath between two heavy ideas.
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